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Jean-Auguste Dominique Ingres Madame Moitessier oil painting


Madame Moitessier
Painting ID::  43322
Jean-Auguste Dominique Ingres
Madame Moitessier
mk170 1856 Oil on canvas 120x92.1cm

   
   
     

Jean-Auguste Dominique Ingres The Entry of the Future Charles V into Paris in 1358 oil painting


The Entry of the Future Charles V into Paris in 1358
Painting ID::  44026
Jean-Auguste Dominique Ingres
The Entry of the Future Charles V into Paris in 1358
1821 Oil on canvas, 47 x 56 cm

   
   
     

Jean-Auguste Dominique Ingres Monsieur Bertin oil painting


Monsieur Bertin
Painting ID::  44027
Jean-Auguste Dominique Ingres
Monsieur Bertin
1832 Oil on canvas, 116 x 95 cm

   
   
     

Jean-Auguste Dominique Ingres The Sword of Henry IV oil painting


The Sword of Henry IV
Painting ID::  44028
Jean-Auguste Dominique Ingres
The Sword of Henry IV
832 Oil on canvas, 36 x 28 cm

   
   
     

Jean-Auguste Dominique Ingres Princess de Broglie oil painting


Princess de Broglie
Painting ID::  44029
Jean-Auguste Dominique Ingres
Princess de Broglie
1851-53 Oil on canvas, 121 x 91 cm

   
   
     

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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